"Life is in their hands- death is on their mind"
Sidney Lumet's courtroom drama deals with the moral dilemmas that surround humanity in a claustrophobic and restless way.
The film explores one afternoon in which a jury of twelve men have to come to an agreement as to whether a young boy has murdered his own father. Henry Fonda stars in this movie, playing a man who's reasonable doubt and well-reasoned resistance gradually brings the eleven other distinct characters around from their swift verdict of guilty. Lumet utilises quippy dialogue, sudden twists and impassioned speeches to create a claustrophobic and sweaty intensity unlike any other film.
Fonda plays his main role in a very Hollywood-esque way, the shadows of the black and white falling on his glimmering eyes in traditional 1950s fashion. As a 21st century viewer, this made me feel slightly uneasy, since that same look has been now mocked and parodied to no end, but I can definitely see the movie-star charm that would have had the audience swooning.
Overall, I was captivated by the film's plot and circumstance. Class and ethnic prejudices, private assumptions and personalities all come out in the colossal struggle for unclouded judgement, winning its place as one of the most highly regarded movies of all time.
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